An Atlas of Impossible Longing
A story to lose yourself in … Anuradha Roy is a wonderful writer ... this tale of three generations of an Indian family, set over the span of the 20th century, is brilliantly told … intensely moving - Sunday Express
Deftly and sensitively narrated - Independent
A lyrical love letter to India's past - an India of innocent child brides and jasmine-scented summer evenings. Poetic and evocative. Roy's writing is a joy - Financial Times
Written with a soaring yet impeccably balanced lyricism, Roy's prose does not hit a single wrong note: its restrained beauty sings off the page. Above all, the book has an elusive quality, so absent from the contemporary novel, a quality that can only be
described as grace - Time Magazine
The first half of this sweeping Indian drama masterfully follows the hopes and pains of Amulya Baba's family … Roy's sentences throughout are evocative and perfectly pitched, making her saga about the compromises we accept for love sweetly nuanced and accomplished' Daily Mail.
Roy's rhapsodic writing enables her to deal with the complexities of the story without the narrative losing any of its lustre. Roy manages to deal with both love and loss without treating either as an unjust interloper on the human experience' Sunday Business Post.
Beginning in 1907 with the founding of a factory in Songarh, a small provincial town where narrow attitudes prevail, the story is of three generations of an Indian family, brilliantly told, in which a sensitive and intelligent foundling boy orphan who is casteless and without religion and Bakul, the motherless granddaughter of the house, grow up together. The boy, Mukunda, spends his time as a servant in the house or reading the books of Mrs Barnum, an Anglo-Englishwoman whose life was saved long ago by Bakul's grandmother, by now demented by loneliness. Mrs Barnum gives Mukunda the run of her house, but as he and Bakul grow, they become aware that their intense closeness is becoming something else, and Bakul's father is warned to separate them. He banishes Mukunda to a school in Calcutta. The many strands of this intensely-fashioned narrative converge when Mukunda, by now a successful businessman, returns to Songarh years after he has been exiled from the only home he knew, to resolve the family's destiny.
Anuradha Roy is the Publisher of Permanent Black, an imprint in Delhi. She was shortlisted for the British Council International Young Publisher of the Year award in 2006.
MacLehose Press staff memberBack To Top ^